Unfinished Business TELEVISION: March 2023 Edition

Happy St. Patty’s Day edition of Unfinished Business TELEVISION! We got some jammed-packed new reviews on VIOLENT NIGHT, SHE SAID, M3GAN, and the infamous COCAINE BEAR. Additionally, a very heated and frank conversation about Netflix’s YOU PEOPLE that you cannot miss! Plus, news about Star Trek’s future on the big screen, Stanley Kubrick’s unproduced Napoleon project coming to TV, another Hellboy reboot, latest trailers and more.

Follow Jeff on Instagram @Projectorj1 and @Unfinsihedb2 and on Twitter @MrUniverse and @UnfinishedB1. Follow André on Twitter and Instagram @ajepyx and see more about his film work at AJepyxproductions.com.

Be sure to SUBSCRIBE to “UnfinishedB1” for past & future episodes.

“Unfinished Business” Theme Song by Emil Mohr

After Effects Template provided by: https://motionarray.com

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André Joseph Featured in Article for Thrive Global

I had the honor and privilege of being asked to share my thoughts about the current events in our country by my friend, author, and nurse Elena Murzello for her article “Optimism from Oppression” on the website Thrive Global. As one of four people who took part in Elena’s piece, we tackle systematic racial injustice, our feelings about it, and our hopes for where things go from here. Read the full article here and follow Elena on social media @ElenaMurzello.

Important Message About THE SAXOPHONIST Film Production

I want to take this time today to thank those of you who have supported us on this journey thus far as we are exactly 3 weeks away from the start of production on The Saxophonist. The cast (Beavin, Nadya, Michael, Ann, Zoiea, Ron’Netta, Jarrett, and Ronnie) and crew (Myself, Bill, Charlie, Joan, etc.) have devoted so much time working very hard in rehearsals and fundraising efforts to get this special short film off the ground. Even though we are getting closer to shooting, we are really just getting started on building the word of mouth.

For those of you who have been following our efforts and are still on the fence about donating to the production or sharing the links to potential contributors, let me explain why supporting this film will matter. Without your help, it will be extremely difficult to pay for specific location fees for the jazz club and ballet theater locations in Manhattan. It will also be difficult to have a sizable crew to ensure the professional quality that this movie cannot work without. Most importantly, we want the overall look and scope of the film to be as cinematic as possible while also providing a comfortable working environment that will ensure all actors and crew can do their absolute best work.

Then there’s the cultural relevance of the film. Jazz music is truly an American art form. The legends most associated with the genre were African-American musicians (i.e. Duke Ellington, Charlie Parker, Dizzy Gillespie, Count Basie, Coleman Hawkins, Miles Davis, etc.) who pushed the music and broke new ground for the generations that came after their time. They also made music that was socially relevant in each decade. I personally look at the sensitive times that we are living in today with Black Lives Matter and what is reflected in our films and TV shows that often focus on the pain and struggle of being black in America. Some are well made and have serious impact on viewers while others tend to be exploitative. With The Saxophonist, I truly want to make this particular film special by depicting more positive representations of African-Americans characters that young people can look up to and relate to their real world struggles for success in the big city. I plan to present it not only at film festivals such as ABFF and Urbanworld, but also to schools for prospective students of the arts.

This is my seventh film project since earning my BA in Film: Media Production at Emerson College in 2006. Of any project I have ever worked on, this is the most personal story that I want to share to the world, honor my family as well as the legendary musicians who inspired me to write this script.

Whether you can contribute a significant amount or simply a dollar to support our production, all you have to do here is visit the SUPPORT section of The Saxophonist website to learn how to make your donation with a credit card or check. All donations are 100% fully tax deductible due to our fiscal support from the New York Foundation for the Arts. Please note that NYFA is not funding this project; however, their support allows us to raise funds using their tax-exempt status as a 501(c)(3)-classified organization. If you want to donate directly now, visit the NYFA donation page link. We also have a Kickstarter campaign with 16 days left to raise half our budget if you are interested in obtaining rewards for your contribution.

Every little bit of support will be one step towards a great movie. I hope you can help us make this big dream of mine a reality. Thank you.

Sincerely,

Andre´ Joseph

Writer/Director of The Saxophonist

 

Oliver Harper’s Retrospectives & Reviews

We don’t often plug other websites and podcasts besides The CineFiles and CosBlog. But in this case, I highly recommend any movie lover to check out Oliver Harper and his retrospective/reviews covering cult films and popular movies for his YouTube channel. He’s not the typical internet celebrity who pokes fun at a film’s flaws. Instead, he tackles the backstories behind the films, special effects techniques, soundtracks, and most unique of all the video game tie-ins! So much of what he does in his work reminds me of how I got started in filmmaking.

Oliver also does running commentary videos with his pals Richard Jackson and an amazing working actor named Duncan Casey. The time they put into dissecting a bad movie can be highly entertaining to watch!

Here are Oliver’s links to see his work:

Website – http://www.olivers-retrospectives.com/
Patreon for early access to reviews & commentaries – http://www.patreon.com/oliverharper
YouTube Channel – http://www.youtube.com/user/ollyh82
Lets Play Channel – http://www.youtube.com/user/retropodcasts

I highly recommend his new Back to the Future retrospective:

And his commentary on the Roger Corman-produced Fantastic Four movie from 1994: